
Kelan Phil Cohran & The Artistic Heritage Ensemble
Philip Cohran – Unity
Philip Cohran – On The Beach
Philip Cohran – The Minstrel
Now that this record has found a new home, in Japan no less, I figured I’d I throw it a going away party, in the form of a dig deep post. Phil Cohran is a Chicago area musician who performed in a number of groups including the Sultans of Swing and Sun Ra’s Arkestra, in addition to being a member of the A.A.C.M. His legacy lives on in the form of his 8 sons who perform in the Hypnotic Brass Ensemble. I’d seen reissues of this record in the last couple of years and admired the sound so when I ran into a copy at Groove Merchant, even though it wasn’t in the greatest of condition, I was more than happy to snatch it up.
This record has some of the style and similar sound of Sun Ra, but it’s also got this entirely different quality to it. Soulful, spiritual and very very deep. On my recent post about the auction that this record is apart of I included one of the 4 tracks “The Minstrel” (reposted above, in addition to all the amazing things about that song musically, I love the phrasing on the lyric “Got to get myself away from here,” that makes “here” sound like “Her”), here I’ll include a couple others (all that’s missing is the short, sweet vocal track “Motherhood”).
“Unity” is a spiritual soul-jazz groover with African melodies and some odd instrumentation and sounds, either coming from Pete Cosey using a bow on his electric guitar or from what’s called a “Violin Uke” that Cohran is responsible for. It’s pretty stunning and there’s few things I’ve heard as thrilling as this piece.
You would think that a song titled “On The Beach,” would be all about the sunshine, but instead the group opts for almost the exact opposite tone, slow, careful, slightly mournful, almost dirge like, with explosive pockets of sound (it’s also where you can hear much more of the “poppin’ popcorn” associated with the lower grade on this record, though it adds to it’s charm if you ask me). “Beach” is a gorgeous piece of music, dedicated (according to the liner notes) to the “Brothers and Sisters” who attended workshops and concerts put on by the Ensemble at the “64th Street Beach House” in 1967.
Soon enough this record will find a new home, Melting Pot will get some funds for the new year and I’ll be on the hunt again for a copy of this and the other very rare records put out by this exceptional group.
Cheers,
Michael


