What Does It All Mean?: Phoenix – “Countdown”

Phoenix Performs on KCRW
Phoenix Performs on KCRW

It took me a little while to jump on the Phoenix bandwagon, but it’s hard not to like this band, great melodies, fun punchy electro rhythms, English lyrics for all the Yankees to sing, but with slightly French phrasing, so it still cooler than any “regular” American could sing. In fact their sound can be so enticing, that you might not pay attention to the lyrics. Case in point, is “Countdown.” The first 4 or 5 times I listened to this song, I was pretty convinced that it was all about sweet remembrance of youth, perhaps youthful discretions or other reckless behavior that just seems right when you’re young and oh so wrong once you turn 30. (more…)

Dig Deep: Billy Harper – In Europe – Soul Note (1979)

Spiritual Jazz From Billy Harper
Spiritual Jazz From Billy Harper

Billy Harper – Priestess
Billy Harper – Calvary
Billy Harper – Illumination (excerpt)

A little earlier I reviewed the Spiritual Jazz collection on this blog and this record by saxophonist Billy Harper definitely exemplifies that style of music.  Harper is one of my favorite living saxophone players, with an extremely full and warm tone, in a post-Coltrane style while also marking out his own territory as a soloist for some 40 years now, beginning most prominently with Max Roach. (more…)

Breakdown: August 5th on KCRW

Been away for a week, Jason Kramer filled in for me last week, and it was very nice to be back with you on KCRW. Started off with a classic from Dr. John and the new name (“Ju Ju” was spoken for already…)  for my brand new Sunday weekly dance party here in Los Angeles at La Cita, “Gris-Gris”! (more…)

In Heavy Rotation: The Portland Cello Project feat. Thao

Portland Cello Project
Portland Cello Project

Portland Cello Project feat. Thao – Beat (Health, Life and Fire)

New release from venerable indie label Kill Rock Stars matches this rather lovely group of cellists with two very fine indie-folksters, Thao and Justin Power.  Here’s their reworking of Thao’s “Beat (Health Life & Fire),” one of my favorite songs of 2008.

Under Review: 24-Carat Black – Gone: The Promises of Yesterday – Numero

Early Version of the Cover For This Release
Early Version of the Cover For This Release

24-Carat Black – I’ll Never Let You Go

For the second time in as many years, a musical dream of mine has come true. In 2008, I learned that there were instrumental versions of the records that David Axelrod recorded with the Electric Prunes.  I was nothing short of amazed. This collection of recordings from the legendary 24-Carat Black tops that find significantly.

Some 35 years after it was recorded, the Numero Group has dug up the long lost recordings for the second album by 24-Carat Black. The 6 songs on this collection aptly titled Gone: The Promises of Yesterday are very much in the spirit of the debut, sonically, but not thematically. While some of the members in the group had changed, the core returns, Dale Warren, Princess Hearn and a seriously funky drummer Tyrone Steels. Based on the songs on this collection, it appears that band-leader Dale Warren was interested in presenting another concept record, but instead of one focused on the urban condition, he was broadening his scope to focus on love. (more…)

Dig Deep: The Purpose – The Purpose – ABC (1969?)

The Purpose Is...Pretty Funky.
The Purpose Is...Pretty Funky.

The Purpose – Dustcracks, Bugs and Roaches
The Purpose – Give In
The Purpose – Life of Love

Picked up this endearingly scratchy record maybe a month ago in San Diego at a spot that O-dub of Soul-sides recommended, B.A.O. Records (as in By Appointment Only). I’m particularly drawn to integrated groups from the 60s and the look of the group plus the fact that the lead singer’s name is John John McDuffy, the guitarist’s name is “Fluffer” and the drummer goes by “Chocolate” pretty much sold me without even listening.

I had my portable turntable with me that day, so I WAS able to check out the sounds as well, cause after all, you shouldn’t judge records just by their covers. The Purpose played what could be described as a mix between urban blues and soul…along with a far too apparent deep love of nursery rhymes. Seriously. (more…)

The Good Foot @ Temporary Spaces

The Good Foot Bi-Weekly Dance Party
The Good Foot Bi-Weekly Dance Party

The Good Foot goes down every 2nd and 4th Friday at Temporary Spaces in East Hollywood. We play soul, funk & rare grooves. End to end burners all night long, keeping it hot, funky & sweaty…from 10pm – 2am, No cover, 21+.  Just FYI, Temp. Spaces doesn’t have a ton of street parking surrounding it, but there is a little valet across the street. Expect it to be packed inside by Midnight…

UPCOMING GUEST DJS FOR THE GOOD FOOT:

August 14th: Jeremy Sole (Afro-Funke/Musaics/KCRW)!!!

August 28th: O-dub (Soul-sides/Boogaloo[la]) & Rani D (Soul In The Park)!!!

In Heavy Rotation: Oumou Sangare – Seya – World Circuit

Malian Singer Oumou Sangare's latest release Seya
Malian Singer Oumou Sangare's latest release Seya

Oumou Sangare – Wele Wele Wintou

This record has actually been out for a fairly long time, but I only recently discovered it after hearing in on Tom Schnabel’s show at KCRW. Great contemporary sounds out of Mali from perhaps the reigning queen of African music. Rhythm king Tony Allen is a guest on one track and sounds like he could be on this one too, a bit of modern Afro-beat that is a lyrical critique against child marriage pratices.

What Does It All Mean?: Deerhunter – “Agoraphobia”

Bradford Cox of Deerhunter foto © Justin Hollar
Bradford Cox of Deerhunter foto © Justin Hollar

Our first post in this new feature is a sweet bit of indie-rock from Atlanta, GA (my hometown) based group Deerhunter.  This song, “Agoraphobia,” was featured on their 2008 album Microcastle, one of the best releases from last year.  “Agoraphobia” is defined as an abnormal fear of open or public spaces.  On the face of it, much of that comes across in the lyrics to the song, where it seems the subject wants to be locked away, perhaps in an asylum, isolated from the world.

However, when I listen to this song, especially the way Bradford Cox sings the beautiful use of alliteration in the opening, I’m strangely reminded not of a person who is scared of being in public and wants to be alone, but instead someone who is madly, blindly, obsessively in love (more…)

Gris Gris: A Night of Musical Hoodoo

Get Your Mojo Working At Gris~Gris!!!
Get Your Mojo Working At Gris~Gris!!!

I am very pleased to announce that I’ll be starting up a new weekly at a legendary spot in downtown Los Angeles, beginning Sunday August 2nd. The night is called “Gris Gris,” and it will go down every Sunday night from 10pm-2am at La Cita, located at 336 S. Hill St.

This night will feature a variety of styles, Soul, Funk, Latin Bugalú, Salsa Dura, Yé-yé, Mod, Beat, Psych, Proto-Punk, Tropicália, Ska, Rock Steady, Reggae, and other Rare Grooves to recharge your mojo and start the week off right. We’ll primarily focus on original sounds from the 1960s & early 1970s, but also include contemporary artists that channel the spirits of the past.

Breakdown: July 21st on KCRW

This breakdown turned out to be longer than I thought it would…couple of important things to note about the first set. The opening song from Gary Bartz, “JuJu Man,” is not only one of my favorite tracks from him, but it’s also an apt song of celebration for the new weekly that I’m starting at La Cita in downtown Los Angeles, called “Ju Ju” on Sunday nights, 10pm-2am, starting August 2nd (full post on that coming shortly). (more…)

Dig Deep: Sly & The Family Stone – Small Talk – Epic (1974)

Sly Stone's Small Talk
Sly Stone's Small Talk

Sly & the Family Stone – Mother Beautiful
Sly & the Family Stone – Can’t Strain My Brain
Sly & the Family Stone – Time For Livin’

This record from Sly & the Family Stone isn’t a particularly rare record in general, but this particular copy is somewhat rare (more on that below). By this time, Larry Graham had split as had Greg Errico, replaced by Rusty Allen & Bill Lordan, respectively. My original reason for buying this record from Wax’n’Facts in Atlanta in the mid 1990s was “Loose Booty” which was sampled nicely by the Beastie Boys on Paul’s Boutique for their song “Shadrach.” (more…)