In Heavy Rotation: Orchestre Poly-Rythmo De Cotonou – Min We Tun So – The Skeletal Essences Of Afro-Funk – Analog Africa

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Orchestre Poly-Rythmo – Min We Tun So

As you’ll see once we move into 2016 proper, there will be many changes to this blog now that I’m connected to a radio station or radio show, and likely won’t be in the foreseeable future. One of those changes is that I’ll likely not be posting as much newer music. For pretty much the entirety of this blog’s close to 6 and 1/2 years, “In Heavy Rotation” has been about showcasing newer music that I was especially digging. From here on out, it’s likely to be a category that sticks more truly to the concept, being the things that I’m listening to more than anything else that week or month. It’s possible anything might find it’s way in here, including songs that I’ve shared before, but likely under a very different context. That’s the case with this song, from Orchestra Poly-Rythmo de Cotonou. This is a song that I’ve talked quite a bit about, featured before, and even played it on my last show at KPFK. But it wasn’t until fairly recently that I actually picked up a vinyl copy of the collection, which I was very happy to find included translations from Fon into English. It’s always fascinating hearing music from languages that you don’t understand, which forces you to relate to the music “itself.” What’s equally as fascinating to me is how the songs that seem to resonate most turn out to be the ones with very satisfying lyrics and messages, which is absolutely the case with “Min We Tun So” (which translates to “Who Knows The Future?”). Based on the lyrics above I think you’ll agree this seemed like a pretty close to perfect song to close out 2015 with as we move forward to 2016.

Viva La Música Cubana…Sorpresa Musical Volume 2!!!

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It took a lot longer than I intended, but that longer wait, hopefully just made it all the better, especially since I get to present it as Christmas present to all of you…here (FINALLY!) is the second mix of music dug up in Cuba, this time focusing solely on LPs. Some of these records I’ve featured here, some I’ll be featuring in coming months, lots of fantastic sounds. I have no doubt that there will be more of these as I continue digging in Cuba, which I hope to get back to in May 2016. Until then..Dig On It!

Sorpresa Musical Volume 2

Sorpresa Musical Vol. 2 – Tracklist:
1. Mirtha y Raul – Ya No Habran Raices – Mirtha y Raul
2. Chucho Valdes – Invento No. 4
3. Rafael Somavilla – La Batea
4. Eddy Gaytan y Su Combo – Para Vigo Me Voy
5. Omara – Soy Cubano
6. Lucecita – So Una Raza Pura
7. Irakere – Xiomara
8. Los D’aida – Canto A Ogún/Es Mi Manera/Da Igual
9. Senen Suarez – Sonsoneando
10. Grupo Sazon – Baconao
11. Vicente Rojas – Esto No Es Para Bailar
12. Son 14 – A Bayamo En Coche
13. Pacho Alonso – El Upa Upa Del Chambelán
14. Juan Pablo Torres y Algo Nuevo – Extracto De Son
15. Juan Formell y Los Van Van – Cuentame
16. Olivia Byington – Procissão
17. José María & Sergio Vitier – Riesgo
18. Silvio Rodriguez – Cancion Tema De El Hombre De Maisinicu*

Dig Deep: José María y Sergio Vitier – Julito, El Pescador: Original Soundtrack – Egrem (1979)

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José María y Sergio Vitier – Riesgo
José María y Sergio Vitier – Persecucion
José María y Sergio Vitier – Despedida

Been a little while since I shared more from my Havana trip, and with the whole year on my mind here at the end of it, seemed like this would be a pretty good time (not to mention the fact that I FINALLY finished the second volume of Sorpresa Musical!). I previously shared compilation of Soundtrack music out of Cuba, but this record is the soundtrack for a single film, Julito, El Pascador. From the pictures and description inside it seems that Julito is just a normal fisherman, but he gets mixed up some “bad” people and drama ensues. Having not heard any soundtrack music out of Cuba, I really didn’t know what to expect. My hope was that since the record appeared to have been recorded and released in 1979, my hope was for some funky stuff. With a 55 piece orchestra, not including a chorus, there was really no way to know what to expect. For the most part the music, under the direction of brothers José María and Sergio Vitier, did not disappoint, with a number of nice pieces, but it’s “Riesgo” that really stands out. The song begins with an ominous, insistent and heavy set of drums, drums that never leave the song, even as flutes, organs, guitars and other instruments flit in and out of the mix. The song has almost a “Sweetwater” period Weather Report feel to it that really starts to cook about 1:30 in, when all the instruments fully come into the mix. Best be sure, that when I return (most likely in May 2016) I’ll be on the look out for more music from Cuban Films and especially from the Vitiers.

Cheers,

Michael

In Heavy Rotation: Dexter Story – Wondem – Soundway

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Dexter Story – Lalibela

One of the unfortunate realities of no longer doing a radio show is that I don’t feel much pressure to keep up with new releases. But here at the end of the year, with “Best Of” lists on everyone’s mind, it’s a nice period of time to play catch up on Fall releases and anything else that might have slipped through the cracks. I’d heard some of Dexter Story’s new release, Wondem, but hadn’t really spent much time with the record to form any real opinion of the record. NOw that I’ve got some down time, with the end of the semester and the holidays, I can fully get on board with Story’s album. Given Story’s history with the LA collective Ethio-Cali, it’s perhaps no surprise that much of the inspiration for Wondem is clearly in East Africa, but it’s in the way the elements come together, in a thoroughly contemporary way. When I heard about the record before actually hearing the record I expected something much more along the lines of Ethio-Cali, with very clear Mulatu Astatke references, but Wondem is something else entirely, drawing on a variety of sounds to create one of the more enjoyable listening experiences of 2015.

As a bonus, Story has created some short films/videos culled from time spent in Ethiopia, in this case for the song “Merkato Star”:

Breakdown: December 9th on Dublab’s “Heads Up!”

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After a month-long hiatus from radio, it was my pleasure to guest host Danny Holloway’s show, Heads Up, on Dublab.com. While I was familiar with Dublab’s work in LA and beyond, this was my first time actually stopping by at the internet radio station. Along for the ride was Music Man Miles, who dropped a fantastic and eclectic hour-plus set of music. Once I sorted out the technology after his set, we close the show with a little chat about some of the things that Miles has on the calendar and a points about collecting trends and music. Not sure when I’ll be hosting a show, though I do know in the near future I’ll be dropping in on Anthony Valadez & Novena Carmel’s Champion City podcast. Other than that, you can likely look for a return of the “Melting Pot Radio Hour” late this month as I do my traditional rundowns of the best vinyl I dug up over the year and my Best of 2015 shows (y’all didn’t think I was gonna just NOT do those, did ya?). For the time being enjoy the show!

Heads Up: 12-09-15 – Set 1
Heads Up: 12-09-15 – Set 2

Playlist – Guest Hosting Dublab’s Heads Up: 12-09-2015
{opening theme} The Skatalites – Ceiling Bud – 7” (Ximeno Records)

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The Special AKA – Racist Friend – In The Studio (Chrysalis)
Eddie Palmieri – Caminando – Vamanos Pal Monte (Tico)
Gloria Ann Taylor – Deep Inside Of You – 7” Selector Sound
Paulo Diniz – Felicidade – Quero Voltar Pra Bahia (Odeon)
Warm Dust – Blood Of My Fathers – Peace In Our Time (Uni)
Ame Son – Reborn This Morning On The Way Of… – Catalyse (BYG / Metronome)
Jackson Heights – Since I Last Saw You – King Progress (Mercury)
Hansson & Karlsson – Tax Free – Monument (Polydor)

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Music Man Miles Guest Set:
Fred Neil – The Dolphins – Fred Neil (Capitol)
Funk Inc. – Message From The Meters – Superfunk (Prestige)
The Meters – Wichita Lineman – Struttin’ (Josie)
The Byrds – Everybody’s Been Burned – Younger Than Yesterday (Columbia)
Doris – You Never Come Closer – Did You Give The World Some Love Today (EMI / Odeon)
Ocho – Undress My Mind – Ocho (Soul Jazz)
Duke Pearson – Stormy – It Could Only Happen With You (Blue Note)
Cal Tjader – Mambero – Tjader (Fantasy)
The James Gang – Collage – 16 Greatest Hits (ABC)
Terry Reid – The Frame – Seed Of Memory (ABC)
Little Feat – Two Trains – Dixie Chicken (Warner Bros.)
Syl Johnson – Trying To Get To You – Goodie Goodie Good Times (Shama)
Paul Weller – Amongst Butterflies – Paul Weller (Go! Discs)
Steve Parks – Movin In The Right Direction – Movin In The Right Direction (Solid Smoke)
Cheyenne’s Comin’ – Come Back To Me – Cheyenne’s Comin’ (Shady Brook)
The Three Pieces – Shortnin’ Bread – Vibes Of Truth (Fantasy)
Bobby Valentin – Berebicua – 7” (Fania)
ET Mensah & His Tempos Band – Save Me – Mensah’s African Rhythms (EMI)
Quantic & Alice Russell – Boogaloo 33 – Quantic & His Combo Barbaro with Alice Russell (Tru Thoughts)

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{closing theme} Achim Reichel – Vita – AR4 (Zebra)

Dig Deep: The Outsiders – Calling On Youth – Raw Edge (1977)

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The Outsiders – Start Over
The Outsiders – Calling On Youth
The Outsiders – Break Free

First heard this last Summer during a quick jaunt to New Orleans, mainly just to buy records. The very first store I went to was Domino Records, and while I was there the clerk started playing this album. What really grabbed my attention was how very unpunk, especially for late 1970s UK punk, many of the songs were. On the first side especially, almost every other song was in a slower, moody and more introspective style. By the time I heard “Start Over” at the end of the first side, I knew this was record I needed to track down and asked about it.

The Outsiders were started up by Adrian Borland, who went on to more acclaim with The Sounds and on his own before tragically committing suicide by throwing himself in front of a train in 1999. This album, the debut for the band and Borland, was recorded at their family home by his father and released on their own label. It’s a raw sound and in some ways the slower and moodier tracks are even rawer than the “punk” ones. It’s clear even at this early stage that the depression that would ultimately would rob us of Borland was heavy on his mind. As someone who deals with depression personally, there’s a lot that I can relate to in a song like “Start Over.” Borland’s style and talents sharpened after this earliest moment, but I’m not sure if there’s anything that’s better than the purity that comes through in these songs.

Cheers,

Michael

In Heavy Rotation: Gloria Ann Taylor – Love Is A Hurtin’ Thing – Luv N’Haight/Ubiquity

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Gloria Ann Taylor – Deep Inside Of You

A compilation far too long overdue, Luv n’ Haight has collected the music that singer Gloria Ann Taylor recorded for her own (and husband Walt Whisenhunt) record label Selector Sound. Taylor cut a few sides elsewhere, but never hit it big. Several of these sides, “Love Is A Hurtin’ Thing,” “World That’s Not Real” and both the 7-inch and 12-inch versions of “Deep Inside You” have been much beloved by fans of rare soul and funk. The original 12″ for “Deep Inside You” is a bit of a holy grail release, fetching big time money on the open market. There was a reissue of that release recently, but this one has the full cooperation of the artist and is the most definitive release compiling this work. Of particularly interest to me, and something I suspected, is the clear and distinct influence of Dale Warren. While Walt Whisenhunt deserves a good deal of credit for the sound of these songs, it’s undeniable that the two tracks touched by Dale Warren, “World That’s Not Real” and the 7-inch version of “Deep Inside Of You” have a sound all their own. The 12-inch version of “Deep” sounds as if it’s the exact same recording, with the drums dropped out and some disco drums dropped in to excellent effect. Most definitely a sound that reaches deep inside of you, and one of the major highlights of 2015.

Guest Hosting Dublab’s “Heads Up” This Wednesday!!!

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Been a bit busy grading over the last week, but I’ll not only be returning to business as usual here on the blog later this week, I’ll also be back on the air! On Wednesday, December 9th, from 2-4pm I’ll be on Dublab, filling in for Mr. Danny Holloway on his show Heads Up. Along with me with me will be Music Man Miles of Funky Sole, Root Down and Breakestra fame. Really looking forward to sharing a little bit of the vinyl I’ve been obsessing over lately and to hear what surprises Miles has in store for you during my first trip over to Dublab.

I’ll post a breakdown after the show here, but you can listen to us live via the Dublab app, or online at Dublab.com

In The Mix: The Music Is Yours…Personal Favorites From Dungen!

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{Now that I’m all caught up, I’ll be taking off the rest of this week and enjoying Thanksgiving. I WILL be back in December with more music and mixes along the lines of the one below to stand in for radio, at least for the moment. Onwards and upwards peoples!}

As should be clear by now, Dungen is one of my favorite contemporary bands, perhaps my single favorite band of the 21st century. Aside from the great respect I have for each of the individual members talents, it is their collective approach to sound that I admire most. In the month since I had the opportunity to interview the band and watch them perform, none of my admiration for the band has dimmed. If anything it has only deepened. This mix began just as something that I wanted to create for my long commutes, from Glendale to Long Beach, and for future road trips. But I decided to share this mix, which covers 20 of my personal favorites from the bands six full-length studio albums, as a means of spreading the band’s music and frontman Gustav Ejstes’ philosophy connected to it. As he said in our interview and wrote in my copy of Tio Bitar, the music IS yours…Enjoy!

Dungen: The Music Is Yours – Personal Favorites 2002-2015

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Tracklist:
1. Allas Sak (Allas Sak)
2. Tyst Minut (Ta Det Lugnt)
3. Mina Damer Och Fasaner (4)
4. Solen Stiger Upp Del 1 & Del 2 (Stadsvangringar)
5. Flickor Och Pojkar (Allas Sak)
6. Krona (Stadsvindringar)
7. Festival (Ta Det Lugnt)
8. Högdalstoppen (Skit I Allt)
9. Det Tar Tid (4)
10. Familj (Tio Bitar)
11. Sol Och Regn (Stadsvandringar)
12. Panda (Ta Det Lugnt)
13. Fredag (4)
14. Brallor (Skit I Allt)
15. Det Du Tänker Idag Är Du I Morgon (Ta Det Lugnt)
16. En Gång I År Kom Det En Tår (Tio Bitar)
17. En Gång Om Året (Allas Sak)
18. Satt Att Se (4)
19. Soda (Skit I Allt)
20. C. Visar Vagen (Tio Bitar)

Be Our Guest: Dungen on Melting Pot!!!!!!!

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Here is our interview with the Swedish Psychedelic band Dungen. This interview, years in the making, almost didn’t happen. I had been in talks to bring the band in for an interview & performance, but the situation at KPFK made it virtually impossible to do the interview at the station. After a suggestion from a friend, I decided to do something I’ve never done before and I booked a couple of hours at Bedrock LA rehearsal space, paying for the time, space and equipment out of my own pocket. In order to understand why I went through so much to make sure this interview would happen, I have to take you back a few years.

I began my career in radio at WRAS, Album 88, and while I did a number of amazing interviews while there (particularly of my heroes Max Roach and Bobby Seale), when I left the station I was really turned off from interviewing artists after a few bad experiences towards the end of my time in Atlanta. At WORT & KALX, I did exactly two interviews (one at each station) and had no real desire to do any others. But in 2007, as I was driving around Berkeley, I heard Matthew Africa play “C. Visar Vagen” from Dungen and later walked into Amoeba as “C. Visar Vagen” was playing and for the first time in years, I really wanted to not only know more about this band, but to have a conversation with them about their music. That spark is what eventually led me to not only return to radio at KCRW, but to eventually land at KPFK where I could produce my own show and book my own interviews. During my time at KPFK, I had around 60 guests into the station for interviews, guest DJ sets and performances. I’m proud of all of them, but for all the reasons mentioned above, this one holds a special place in my heart. DungenBedrock

During our interview, we talk about the earliest years of the band, how the core quartet, featuring Gustav Ejstes, Reine Fiske, Mattias Gustavsson and Johan Holmegard, came together organically over the course of the band’s history, the latest release Allas Sak, which translates roughly to “Everyone’s Thing” and what that phrase means to the band and we spend quite a lot of time talking about the process of making music for this band, including some fascinating insight into how the band visualizes their music through images (such as “this is more like a gentle stream” or “more like the morning dew”) and the precious influence of Gustav’s mother. The interview also features music from the band, “Flickor Och Pojkar,” “Allas Sak,” and “En Gång Om Året” from the new record, as well as a couple of older songs that are personal favorites (including the much discussed “C. Visar Vagen”). Big thanks to Jessica Weber, Mark O’Donnell and Rachel Barnhart for their help setting this up, Mark Maxwell for helping with the sound, Bedrock LA for the space and most importantly thank you to the band for being so gracious with their time and so exemplary with their music. While it is a shame that the recording of their performance ended up being unusable for airplay, I am so very thankful to have been able to spend that time with the band and very proud of the interview that we were able to record and broadcast and share with you here.

Dungen Interview on Melting Pot: 10-25-2015

Breakdown: November 6th on KPFK’s Melting Pot…Farewell Transmission

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In all honesty, I had every intention of making sure this would get posted a few days after it broadcast. But you know what happens to our best laid plans. In some ways it’s fitting that it took me a fair amount of time to get this show up, it’s a microcosm of my entire five years at KPFK, and as a final show on the station, that seems very fitting indeed. The decision to leave KPFK had been brewing over the last several months. I could write a book on my feelings about what is currently happening to KPFK and the wider Pacifica network, but the easiest way of saying why I am leaving is to simply say that I do not have the time to invest in KPFK that I would like and no longer feel that the station is a place where I can do the kind of show that I want to do. This choice does not have anything to do with anyone placing any restrictions on my work as a programmer. During my five years I’ve enjoyed the confidence of the music director Maggie LePique and interim Program Director Alan Minsky and they have been extremely supportive of my vision for Melting Pot. My choice is more connected to the ongoing crisis and the entrenched dysfunction that seems likely to end in the dismantling of the network and the possible loss of multiple stations.

For years there was an acceptable amount of dysfunction and crisis that I could tolerate, after all, within the first month of being on the air, I had 3 weeks of fundraising sandwiched between 2 weeks of “regular” programming. But my show was never given a full chance to build an audience that would have supported it through thick and thin, and as the years have gone by, the pace of fundraising has increased on pace with the problems at the station and the network. As our financial issues have balloned due to mismanagement on many different levels, the ability to produce a quality show, has become more and more difficult. As a programmer at a station without a functional music department and with no music library, you are responsible for 100% of what you play. The constant disruptions to programming, the lack of organization or basic planning has made it impossible to do my show in the way that I feel it should be done. When long-time programmers Derek Rath, Yatrika Shah-Rais and Betto Acros resigned en masse from the Global Village over many of these issues, I was close to just resigning right then and there at the beginning of October. The final straw for me was connected to the Dungen interview that takes up the second hour of this last program. In order to make this interview happen, I had to book and pay out of my own pocket for rehearsal space. The lack of a dedicated performance space and a dedicated engineer, meant that even though I was able to get the band into a studio, our recording wasn’t suitable for broadcast and the inability to do something, that should be taken for granted at a radio station with KPFK’s legacy and space, only confirmed that this was the right time to leave the station.

This was not a choice that I made lightly or without difficulty. I strongly believe in the mission of KPFK and Pacifica. Within a week of moving to California back in 1999, I was on the streets of Berkeley, protesting with other concerned parties what we viewed as overreach by the Pacific board in the firing of KPFA GM Nicole Sawaya. That protest eventually led to the very structure of governance that has become Pacifica’s undoing, a hard lesson in unintended consequences for sure. I’m not sure there is enough collective will to create another movement right now that would right the ship and bring KPFK and the other Pacifica stations into the future. I hope that there is, but I don’t see any of that positive change on the horizon. Were I that 25 year old man of the past, just beginning graduate school with few responsibilities outside of himself, I would likely still be in this fight. But as a 40-year old, recently divorced man, who is primarily responsible to the 400-550 students he teaches each year at CSU-Long Beach, I have to choose my battles more wisely. And so, my time at KPFK (and perhaps terrestrial radio more generally) is done and this chapter is closed. I’m proud of everything I was able to accomplish at KPFK and proud of this final show. While this show below represents the farewell transmission of Melting Pot on KPFK, it is not yet a grand finale for my work as a DJ. I will continue to share music here on the blog, occasionally in local spaces and perhaps, if I’m lucky, on an online radio station. As a final word, I’d like to thank listeners of the program, it was a privilege to have hosted this show for you on your airwaves. Thank you for listening…

Melting Pot on KPFK #211: First Hour
Melting Pot on KPFK #211: Second Hour

Playlist: 11-6-2015
{opening theme) Booker T & the Mgs – Melting Pot – 7” (Stax)

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Songs: Ohia – Farewell Transmission – Magnolia Electric Co. (Secretly Canadian)
Rotary Connection – Life Could – Aladdin (Cadet Concept)
Erasmo Carlos – Minha Gente – Sonhos E Memorias (Polydor)
Alice Coltrane & Charlie Haden – For Turiya – Closeness (Horizon)

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Josh Haden & Spain – I Do – Single (Self-Released)
Janis Joplin – To Love Somebody – I Got Dem Ol Kozmic Blues Again Mama! (Columbia)
Orchestre Poly-Rythmo Cotonou – Min We Tun So – The Skeletal Essence Of Afro-Funk 1969-1980 (Analog Africa)
Rodrigo Amarante – The Ribbon – Recorded Live At KPFK (KPFK Archives)

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Gloria Ann Taylor – World That’s Not Real – Love Is A Hurtin’ Thing (Ubiquity/Luv’n’Haight)
Phonte feat. Evidence, Big Krit & 9th Wonder – Life Of Kings – Charity Starts At Home (Foreign Exchange)
Funkadelic – The Promentalshitbackwashpsychosisenema Squad (the Doo Doo Chasers) – One Nation Under A Groove (WB)
Mulatu Astatke & The Heliocentrics – Blue Nile – Inspiration Information (Strut)

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Dungen – Interview – Recorded Live At Bedrock LA (Melting Pot Archives)

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Dungen – En Gang Om Aret – Allas Sak (Mexican Summer)
Dungen – Satt Att Se – 4 (Mexican Summer)
Dungen – Soda – Skit I Allt (Mexican Summer)
Dungen – Akt Dit – Allas Sak (Mexican Summer)
Dungen – C. Visar Vagen – Tio Bitar (Kemado)

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{closing song} Johnny Hartman – We’ll Be Together Again – Songs From The Heart (Bethlehem)

Dig Deep: Hansson & Karlsson – Monument – Polydor (1967)

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Hansson & Karlsson – Tax Free
Hansson & Karlsson – Triplets
Hansson & Karlsson – Collage

I must have been some crazy providence that the same week I got a copy of that Bruce & Vlady record, I ended up tracking down this LP over at Atomic in Burbank. I knew the name, “Hanson & Karlsson” because Jimi Hendrix name-checked them when he performed a version of their song, “Tax Free,” but had never heard their sound. After having had my mind blown by the organ/drum sound of Bruce & Vlady after a first listen, I had it blown all over again when I dropped the needle on the original version and heard that Hammond blazing and those drums crashing all over the place. My mind quickly became obsessed with another Swedish band and so I haven’t done nearly enough digging into the band, but it’s something I’m looking forward to doing cause I can’t imagine the breaktastic bounty that is waiting for their material recorded in 1968 and 1969.

Cheers,

Michael

In Heavy Rotation: Bruce And Vlady – The Reality – Vampi Soul

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Bruce & Vlady – Blue Variations

There really was a time, bot to long ago where I thought we’d run out of “rare grooves,” and such. It seems comic now, but it was something I believed. Instead as the years have passed, there’s been more and more funky material dug up and reintroduced through many fine reissue labels, so much that I can’t even keep track of it all. Vampi Soul has long been one of my favorite labels, and a couple months ago they sent me a real doozie of a record. Bruce and Vlady’s “The Reality” is the kind of record you dream of finding while diggin’ in the crates. It’s deep, soooooooooooooooooooo very deep. It’s so incredibly deep that I was pretty shocked in hearing it that I’d never heard anything from this album before. Apparently it was a Swedish only release, which seems odd given that Bruce came from the States and Vlady was a Polish drummer. But Hansson & Karlsson had already made a name for themselves as a organ and drums duo by this period of time, so there might have been a market for this over there. I’m just thankful that someone had the good sense to put some mics in gront of these two dudes and give us a taste of their “reality.” One of my fave reissues, not only of this year, but of the last several years.