Be Our Guest: Bart Davenport on KPFK’s Melting Pot!!!

Bart Davenport Performs at KPFK!
Bart Davenport Performs at KPFK!

Mr. Bart Davenport was our guest this past Friday at KPFK and it really was one of my favorite interviews I’ve had at the station. Though this is the first time we’ve actually met, Bart and I have crossed paths a number of times over the past 20 years. I first became a fan of him, without knowing it was him, when I heard “Wishy Washy Woman” from one of his earlier groups The Loved Ones. When I moved to the Bay Area in 1999, I became friends with several DJs and musicians because of my time at KALX, including a couple who were close friends of Bart, Kitty English and Sean Sullivan. Somehow though, through all those years, Bart and I were never formally introduced until this past week. Over that time, Davenport has released music with several groups, The Loved Ones, The Kinetics, Honeycut and Incarnations, as well as releasing a half dozen solo releases, with Physical World being his most recent one. Davenport performs four songs acoustically, three from his most recent record, “Dust In The Circuits,” “Wearing The Changes” and “Every Little Step,” as well as a cover of Prefab Sprout’s “Lions In My Own Garden.” During the interview we talk about a variety of things including Davenport’s songwriting sensibilities, how moving from the Bay Area to LA has affected his music, and some of the themes and stories behind the new album Physical World, particularly my favorite song on there and an early candidate for “song of the year,” his anthemic “Fuck Fame.” Davenport and his cohorts are currently touring Europe, but will be stateside in the summer and you shouldn’t be surprised if he makes a return visit back to the station with the full group or to play some records in the near future.

Bart Davenport on KPFK’s Melting Pot: Recorded 04-18-2014

Breakdown: April 20th on KPFK’s Melting Pot

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I know many of you thought I must have given up posting on this blog for Lent, but naw…I’ve just been exceptionally busy with personal matters that I think have more or less stabilized and (hopefully) should allow me to get back into my usual rhythm and you can get used to music being available here on a regular weekly basis. Spending most of the day getting things back on track and so there’s gonna be a mountain of new posts up tonight! Yesterday’s show was a special affair, with a double holiday, one very conventional and traditional, the other the opposite of both of those, with Easter and 4/20. I am a catholic, but as to the other “holiday,” I don’t partake, but appreciate the fact that clearly many of my listeners do, so we start with a couple of songs that bridge the two holidays together. From there we have a little bit of new music in the first hour, from Karol Conka, Debruit & Alsarah, instrumental Madlib, Peppered throughout are a few songs that feature Bart Davenport, who is our guest during the whole second hour (separate post up momentarily), performing a few songs and talking about his career and his most recent record Physical World. We haven’t had a lot of interviews this year, but I’m hoping that this one will change our lucky and the second half of 2014 will have more than a few guests. Thanks for hanging in there with me, enjoy the tunes, next week we’re all on vinyl.

Melting Pot on KPFK #161: First Hour
Melting Pot on KPFK #161: Second Hour

Playlist: 04-20-2014

{opening theme} Booker T & The Mgs – Melting Pot – 7” (Stax)

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US Apple Corps – Get High On Jesus – Let The Music Take Your Mind (Plantation/SSS)
Ada Richards – I’m Drunk & I’m Real High – Good God!: Born Again Funk (Numero)
Tower Of Power – Social Lubrication – East Bay Grease (San Francisco)
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Karol Conka – Caxambu – Batukfreak (Mr. Bongo)
BadBadNotGood – CS60 – III (Innovative Leisure)
Madlib – Robes (Instrumental) – Pinata (Instrumentals) (Madlib Invazion)
Incarnations feat. Bart Davenport – I Didn’t Know – With All Due Respect (Lovemonk)
Bobby Wade – Can’t You Hear Me Calling – Eccentric Soul: The Way Out Label (Numero)

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Debruit & Alsarah – Alrahal – Aljawal (Soundway)
Greyboy Allstars feat. Bart Davenport – To Know You Is To Love You (Ubiquity)
Asha Bholse & Chorus – Koi Lutera – Bollywood Disco (Cultures Of Soul)
Fania All-Stars feat. Cheo Feliciano – Anacaona – Our Latin Thing/Nuestra Cosa: 40th anniversary edition (Fania)

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Bart Davenport – A Young One – Palaces (Antenna Farm)
Bart Davenport – Interview & Performance – Recorded Live At KPFK (KPFK Archives)
Bart Davenport – Fuck Fame – Physical World (Lovemonk/Burger)

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{closing theme} Dungen – C. Visar Vagen – Tio Bitar (Kemado)

Dig Deep: Silvinha – Silvinha – Odeon (1967)

Silvinha – Banho De Sorvete
Silvinha – Professor Particular
Silvinha – A Mais Linda Flor

To be perfectly honest, I’ve thought about selling this Silvinha record half a dozen times.
Every time I listen to “Banho De Sorvete” though I immediately decide against it. On paper, this album should be amazing. Silvinha has a kind of natural “bad girl” vibe to her singing that often gives it lots of spunk and with rock backing and the fuzzy guitars of Lanny Gordin (best known for his work with Gal Costa) you’d think it was a can’t miss proposition. Unfortunately most of the record is pretty run of the mill 1960s international rock sounds. “Banho De Sorvete” is a monster track though, extra fuzzy Brazilian Ye-Ye. I still hope that the song ends up on a 45, though I haven’t seen it and doubt that the same people who chose the majority of these songs would recognize just how amazing “Banho” actually is. Oh well, maybe I shouldn’t be so greedy.

Cheers,

Michael

In Heavy Rotation: Stanton Davis & the Ghetto Mysticism Band – Isis Voyage – Cultures Of Soul

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Stanton Davis and the Ghetto Mysticism Band – Delta Six/Brighter Days

This was one of the releases that Deano Soundz, owner of Cultures Of Soul Records, previewed for us during his guest stint on my show last November. Back then it was still a rough master,but not it’s been completely remastered and it sounds absolutely amazing. Isis Voyage represents unreleased tracks that build on the legacy of one of the best named outfits in history, Stanton Davis & the Ghetto Mysticism Band. Well worth tracking down for the serious universal rhythms and spiritual vibes, of which “Delta 6/Brighter Days” is only the beginning.

Breakdown: April 13th on KPFK’s Melting Pot

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Been doing these shows a bit more loosey goosey of late, as is evidenced from the pace of posts on the blog, I’ve been preoccupied with many many other things. Not having everything planned out means I play a bit more vinyl than I usually do during the “usual” shows, and so this show begins with essentially a whole side of Rahsaan, as if I needed an excuse. From there, you’ll hear some new tunes, including current faves Karol Conka, Pains Of Being True At Heart, BadBadNotGood, Bart Davenport, Takuya Kuroda and more. Speaking of Bart Davenport, next week’s show will feature an interview and performance from him, but until then, enjoy this one.

Melting Pot on KPFK #160: First Hour
Melting Pot on KPFK #160: Second Hour

Playlist: 04-13-2014
{opening theme} Booker T & The Mgs – Melting Pot – Melting Pot (Stax)

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Rahsaan Roland Kirk – The Black Mystery Has Been Revealed/Expansions – Left & Right (Atlantic)

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Anthony Valadez – Good Lookin’ – In Search Of… (Plug Research)
Takuya Kuroda feat. Jose James – Everybody Loves The Sunshine – Rising Son (Blue Note)
Roy Ayers Ubiquity – Keep On Walking – Everybody Loves The Sunshine (Polydor)

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William Onyeabor – Do You Want A Man (Vaccines Remix) – What?! (Luaka Bop)
William Onyeabor – Fantastic Man – Who Is William Onyeabor (Luaka Bop)
Ana Tijoux – Vengo – Vengo (Nacional)
107th Street Stickball Team – Barbara With The Kooky Eyes – Let’s Boogaloo Vol. 6 (Record Kicks)

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Pains Of Being Pure At Heart – Simple and Sure – Single (Yebo)
Bart Davenport – Dust In The Circuits – Physical World (Lovemonk/Burger)
Hokis Pokis – Can’t Wait For Love – The Magic Of Hokis Pokis (Luv’n’Haight)
Donald Byrd – Places and Spaces – Places and Spaces (Blue Note)

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BadBadNotGood – Confessions – III (Innovative Leisure)
Nedelle Torrisi – Psychic Returns – Nedelle Torrisi (Self-Released)
D. Tiberio feat. Natasha Agrama – Gone – 304 (Timetable)
Wye Oak – Logic Of Color – Shriek (Merge)

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Karol Conka – Boa Noite – Batukfreak (Mr. Bongo)
Freddie Gibbs & Madlib – Lakers – Pinata (Madlib Invazion)
Tim Maia – Casinha De Sape – Nuvens (Seroma)
The Rising Sun – Getting’ Is Kinda Cool Now – 7” (Kingston)

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{closing theme} Dungen – C. Visar Vagen – Tio Bitar (Kemado)

Dig Deep: Harlem Underground Band – Harlem Underground – Paul Winley (1976)

Harlem Underground Band – Smokin’ Cheeba Cheeba
Harlem Underground Band – Fed Up
Harlem Underground Band – Ain’t No Sunshine

I’ve now owned this record three times. I know that the first copy was a bootleg. I think the second copy was a legit original. Ran into this copy at Amoeba for something like $4 and the sleeve made me think it was a reissue. The thing about reissue vinyl is that it has a certain look, perhaps because newer records are pressed differently than OGs, and the tell-tale signs are normally on the label. When I took a look at the label of this record, it didn’t look like a reissue, it looked like the real deal. For whatever reason it seems like this record got bootlegged more than just about any record I know. It’s a strange record in some ways. The record is a real anomaly in the career of George Benson, “Baby” Cortez and Willis Jackson, (though I’ve never been sure if Benson is the singer on “Cheeba Cheeba,”) because this is a real down and dirty album, not just in terms of it being “funky,” this is literally a pretty dirty record. In some ways it’s a funk concept record, or something that could have easily have been a blaxploitation soundtrack. From the “highs” of Smokin’ Cheeba Cheeba, things get low down as Ann Winley sings “Fed Up” and tells her man in no uncertain terms that she ain’t putting up with his s**t any more. How are we to view the lascivious nature of “Finger In It?” Is this the no-good man of the prior song, up to his old ways, or has the woman decided to go and get hers? I lean towards the latter since the next song is “Ain’t No Sunshine” and even as an instrumental with a reggae feel and big ole drum break, we all know how that goes. “Fed Up” shows up again as an instrumental to close the album and close the interesting little story that is going here. You very rarely heard so many profanities in songs from this period unless the album was explicitly a comedy record, so that makes it notable all on its own, regardless who was playing on it.

Cheers,

Michael

In Heavy Rotation: Freddie Gibbs and Madlib – Pinata – Madlib Invazion

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Freddie Gibbs and Madlib feat. Earl Sweatshirt and Domo Genesis – Robes

They’ve been teasing us for the better part of three years, releasing a single here and there, but finally Madlib & Freddie Gibbs have released their long-awaited collab, and it’s just as mesmerizing as you thought it would be. Madlib is Sonny Sharrock to Dilla’s Hendrix and as such, the madcap production requires a really versatile MC. Freddie Gibbs more than holds his own, never seems out of place and these beats feel like they were made to have his voice flow over them. Some of the tracks we’d already know are the standouts, especially “Shame,” but the newer material is also strong, especially “Robes” the track above featuring Earl Sweatshirt and Domo Genesis along with Gibbs on the mic. Madlib provides the sounds and it’s a virtuoso flip of a Lenny White song that sent me looking for the original and marveling at how Madlib builds the entire beat from the one track but deconstructs it in such a way that it gives it an entirely different character. The album holds up nicely just as an instrumental record, but the two compliment each other so well that you’re best served hearing them together as intended.

Breakdown: April 6th on KPFK’s Melting Pot

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Back with the usual show after not having one for a while during the drive, I was still working through a number of brand new things in this show, including Madlib & Freddie Gibbs, Alsarah & the Nubatones, Lee Fields, Soul Jazz Orchestra, Takuya Kuroda and Ana Tijoux. Started things off with a short tribute to the legendary Frankie Knuckles, one of the real fore-fathers of House music. I’ve always dug House music, especially when I’ve heard it in the club, but I’ve never gotten really deep into it. Despite that I’ve always recognized the joy that the music brings and couldn’t miss the chance to pay tribute. During the show you also hear an excerpt of the guest DJ set that E Da Boss of Myron & E did for us last year, ahead of his set for the Blazing Funk show at the Echo this week, which also features Jungle Fire performing live and a 2 hour set from Rich Medina! Enjoy!

Melting Pot on KPFK #159: First Hour
Melting Pot on KPFK #159: Second Hour

Playlist: 04-06-2014
{opening theme} Booker T & The Mgs – Melting Pot – Melting Pot (Stax)

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Frankie Knuckles feat. Satoshi Tomiie – Tears – 12” (FFRR)
Hokis Pokis – City Rhythm – The Magic Of Hokis Pokis (Luv’n’Haight)
Anthony Valadez – Freedom – In Search Of… (Plug Research)

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Alsarah & the Nubatones – Jibal Alnuba – Silt (Wonderwheel)
Albert Kuumba Toudie Heath – Baraka – Kawaida (Trip)
Soul Jazz Orchestra – Celestial Blues – Inner Fire (Strut)

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Ana Tijoux – No Mas – Vengo (Nacional)
Takuya Kuroda – Green and Gold – Rising Son (Blue Note)
Swervedriver – Duress – Mezcal Head (A&M)

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Albert Ayler – Dancing Flowers – Love Cry (Impulse!)
Wilburn Burchette – Invoke The Name Of God – Opens The Seven Gates Of Transcendental Consciousness (Ebos)
The American Analog Set – Diana Slowburner II – The Fun Of Watching Fireworks (Emperor Jones)
Chicano Batman – Stoned Soul Picnic – Cycles Of Existential Rhyme (El Relleno)

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E Da Boss – Guest DJ Set (Excerpt) – Recorded Live At KPFK (KPFK Archives)
Jungle Fire – Firewalker – 7” (Colemine)

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Lee Fields & the Expressions – Magnolia – Emma June (Truth & Soul)
Madlib & Freddie Gibbs – Broken – Pinata (Madlib Invazion)
The Occassional – Baby Don’t Go – Eccentric Soul: The Way Out Label (Numero)

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{closing theme} Dungen – C. Visar Vagen – Tio Bitar (Kemado)

Dig Deep: Orquesta De Musica Moderna De Oriente – Oriente – Egrem (196?)

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Orquesta De Musica Moderna De Oriente – Nosotros
Orquesta De Musica Moderna De Oriente – La Comparsa
Orquesta De Musica Moderna De Oriente – No Quiero Llante

Bought a nice little batch of Cuban records a little while ago, most of which I’m sure I’ll feature here at some point. Had no idea what to expect from this album, as I’d never heard of the group and there wasn’t much info online either. For the most part in those instances I look for other intangibles, such as when it appears the record was recorded and, if listed, the styles of music that are on the record. In this case, though I’m not sure the exact date, I’m guessing that this one was recorded probably around 1968 or 1969. I was most excited to hear the songs listed as “Fantasia” as this generally is a term that’s used for psychedelic or rock sounds in this period of time, but neither of those were particularly notable. From there I was drawn to a track called “Nosotros” which was labeled as “Samba Beat.” As you can hear above, this one is pretty cool, with a kind of start stop rhythm, where the vocals are there acapella, and then a bit of the music will come in before dropping out again. The Orquestra de Musica Moderna de Oriente or OMMO has a really brassy sound, and probably was a true orchestra with a whole bunch of players. The arrangements have a certain big band quality and while tracks like “La Comparsa” and “No Quiero Llanto” aren’t nearly as funky as I would have liked them to have been, but the whole record was pleasant surprise and a nice addition to my collection.

Cheers,

Michael

In Heavy Rotation: Hokis Pokis – The Magic Of Hokis Pokis – Luv’n’Haight

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Hokis Pokis – Nowhere

After 20+ years as a DJ, I’m still amazed at how little I feel I know about music. Case in point, Hokis Pokis, who have gotten a much deserved retrospective from the good folks at Ubiquity, but were completely off of my radar until I received a copy of this release. The music is the kind of disco that absolutely no one can dislike and much of it would be welcome on contemporary dance floors regardless of the genre. Who I missed someone spinning “Nowhere” is beyond me. Surely someone must have spun this at a party or a club I’ve been to in the last 20 years, it’s just not possible that I never heard this song. “Nowhere” sounds so familiar and so perfect that it feels like it’s always been a part of my life. I’m just happy that I know it always will be from here on out.

Breakdown – March 30th on KPFK’s Melting Pot

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All vinyl affair at the end of March included quite a lot of things that I’ve just hadn’t had a chance to bring into the show. Started with a tribute to Joey Pastrana, who passed away back in February, with a very jumpy copy of “That’s How Rumors Start.” As I mention on the show, it’s a testament to how good this record is that I’ve never found a mint copy, it’s always been played to death. From there we do what we do, moving all over the place in terms of styles and hopefully surprising you along the way as we entertain you with the music. Enjoy!

Melting Pot on KPFK #158: First Hour
Melting Pot on KPFK #158: Second Hour

Dig Deep: Freddie McCoy – Gimme Some! – Cobblestone (1968)

Freddie McCoy – Gimme Some
Freddie McCoy – Worst That Could Happen
Freddie McCoy – Time For My Children

Like so many others, Golden Era Hip-Hop has profoundly affected how I hear music and my general tastes. Many of us learned so much about many different genres of music just tracking down samples from those albums. One of the best, that continues to send people out diggin’, was Mecca And The Soul Brother from Pete Rock & CL Smooth. The Ernie Hines record I’ve featured here is probably my favorite sample on the album, but a close second is “Gimme Some” which shows up primarily as an interlude but made an indelible impression on me. It was a happy day when I ran into this album over ten years ago at Groove Merchant, and an even happier day a couple of weeks ago when I ran into at Groove Merchant again after having sold the first copy back in 2004. In truth, this isn’t McCoy’s strongest work, filled almost exclusively covers of the “hits” of the day. “Worst That Could Happen,” and the McCoy original “Time For My Children” keep this from being a “one-tracker,” but even if they were there I’d still love this album just for the completely sublime feeling that happens every time I drop the needle on “Gimme Some.”

Cheers,

Michael

In Heavy Rotation: Debruit & Alsarah – Aljawal – Soundway

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Debruit & Alsarah – Alhalim

Soundway has just about ditched it’s prior identity as a go-to reissue label for music from Africa and Latin America. Instead, it’s rebranded itself as a leader in contemporary sounds from all over the world, redefining the “world” genre. In this case, Parisian producer Debruit is paired with Brooklyn based, by way of Sudan, singer Alsarah. The results are sometimes a mixed bad, the production doesn’t always sync up with the singing but when it does, as it absolutely does on “Alhalim,” it’s absolutely magical.