Pound for Pound: Happy Soul with a Hook of Hippy Skippy Moon Strut for a Happy Man

I’m thinking he likes the “Moon Strut” version best!

There have been a couple of very nice discussions of why there are all these different versions of this classic breakbeat, including one from Oliver Wang of Soul-Sides. My question is much more simple. Between the 4 versions of this break, which one do YOU think is the best? Each one has a subtle difference from the others. “Happy Soul With A Hook” was the first one I heard, but as soon as I head “I’ll Be A Happy Man” I thought that one was on top, but damn if it isn’t nice to just hear those horns all by themselves on “Happy Soul” or with the extra appeal of a little grunting shout of “Hippy Strut” from “Hippy Skippy Moon Strut.” Somewhere I’m sure there’s a bollywood version of this that tops them all…

Latin Blues Band feat. Luis Alves – I’ll Be A Happy Man

The Moon People – Happy Soul

Dave Cortez and the Moon People – Happy Soul With A Hook

The Moon People – Hippy Skippy Moon Strut

In Heavy Rotation: V/A – The Future Sounds of Buenos Aires – Waxploitation/ZZK

La Yegros – Viene De Mi

Future Sounds of Buenos Aires is one of the first collaborations between US label Waxploitation and Argentina’s ZZK Collective. It represents emerging styles and sounds, primarily focused on Nu-Cumbia, which mixes the classic genre with electronica. ZZK has an interesting story, having grown out of the Buenos Aires club scene in 2006 to being one of the great exporters of contemporary Latin music. Of all the tracks, the one that stands out the most for me is from Mariana Yegros aka La Yegros. La Yegros’ track here lacks some of the more “future” elements of artists like El Remolon or King Coya, but with her distinctive vocals and the fantastic mid-tempo cumbia beat, it’s a perfect sound for the summer. There should be a full-length release from La Yegros later in the year, so don’t worry not only is the more to come, but you will definitely hear it here on Melting Pot.

Dig Deep: Rahsaan Roland Kirk – Blacknuss – Atlantic (1972)

Rahsaan Roland Kirk – Make It With You
Rahsaan Roland Kirk – Ain't No Sunshine
Rahsaan Roland Kirk – Blacknuss

Last year at this time I was surprised that I hadn’t posted up a record from Rahsaan Roland Kirk, given that he’s one of my all-time favorite musicians and all around human beings. Since today is Rahsaan’s birthday, I thought I post up another of his records (which I believe makes him the first artist that I’ve repeated in this section to date). Blacknuss is very much connected to Rahsaan’s activist work with the Jazz & People’s Movement, a group he formed to put pressure on networks to broadcast more “Black Classical Music” as he called jazz. The album primarily features a number of covers of contemporary soul songs, the best of which are “Ain’t No Sunshine” and “Make It With You,” but the way Rahsaan covers these songs is clearly less focused on riding the coat-tails of popular melodies and instead on highlighting both the accomplishments of the original artists and his own style.

The song “Blacknuss” stands by itself, but also helps to put the whole album into focus. Highlighting just the black keys doesn’t mean that the white keys aren’t important on the piano, but when they receive most of the attention, it’s good sometimes to throw a little shine the other way. The focus on those “minor” keys gives the song a certain mood, as does the singing of each letter of the title by Rahsaan and Cissy Houston (makes you wonder if a little 8 year old Whitney was in the studio at the time, I think it is very likely that Rahsaan’s activism influenced her own). Incredible sounds from an incredible musician who brought so many beautiful bright moments to the world.

Cheers,

Michael

Breakaway – Tuesday at the Virgil in Los Angeles August 7th!!!

Enjoyed myself so much back in May playing records at the Virgil for KPFK’s Elevate, that I’m returning this Tuesday night to play more records. It’s been a long time since I spun just by myself for 4 hours, and I’m not sure how things will develop. Tuesday nights are fairly laid back but with all-night Happy Hour, this is THE night to check out the Virgil’s vaunted drink selection. In terms of my selections, expect a lot of funky material, from all over the world, but mostly in the pocket and from the States. If you’re in LA and out and about on a Tuesday night, swing on by, say hello or just enjoy the sounds. The Virgil is located at 4519 Santa Monica Blvd. Los Angeles, CA 90029.

I can guarantee that I’ll be playing this, since it’s the theme song of the night:

I can also guarantee that I’ll be playing some Rahsaan since August 7th is his birthday. Might start off with this:

…and I can also completely guarantee that I’ll be closing up the night with some deep soul and blues sounds, more than likely finishing up with this one:

Breakdown: August 5th on KPFK’s Melting Pot

With a lot going on in my personal life and the KPFK fundraiser upcoming, this will be the last Melting Pot for at least a couple weeks. Gave away a ton of tickets and played a good bit of new tracks. Show starts with a early birthday tribute to Rahsaan Roland Kirk, the patron saint of this blog and the show, his 21 minute epic “Saxophone Concerto.” Because of a recording mishap you don’t get the full song (or my intro to this show), but you still get to marvel at the virtuosity of Rahsaan, 19+ minutes of sax solo without taking a breath or a break. New tunes from Antibalas, Gaslamp Killer, Ondatropica, the Afro Latin Vintage Orchestra, KonKoma and more “lost” music from Can. Though I won’t be doing a show for several weeks, there will be plenty of music here on the blog and as I mention in the show, I’ll be spinning some records at The Virgil Tuesday night from 10pm-2am for a night I’m calling “Breakaway,” with hopes it might turn into a regular thing next month. The second hour starts off with a short set that features some funky tunes, a few classic breaks and the basic idea of what “Breakaway” is going to sound like. Enjoy the sounds, the radio show should be back later in August.

Melting Pot on KPFK #94: First Hour
Melting Pot on KPFK #94: Second Hour

Playlist: 08-05-2012
{opening theme} Booker T & the MGs – Melting Pot – Melting Pot (Stax)

~~~~ Break ~~~~

Rahsaan Roland Kirk – Saxophone Concerto – Prepare Thyself To Deal With A Miracle (Atlantic)

~~~~ Break ~~~~

El Remolon – Atras – Future Sounds of Buenos Aires (Waxploitation)
Afro Latin Vintage Orchestra – Onze De France – Last Odyssey (Ubiquity)
The Bamboos feat. Aloe Blacc – Where Does The Time Go? – Medicine Man (Tru Thoughts)
Can – Barnacles – The Lost Tapes (Mute)

~~~~ Break ~~~~

The Lions – Sweet Soul Music – Jungle Struttin’ (Ubiquity)
Ondatropica – Linda Manana – Ondatropica (Soundway)
Konkoma – Accra Jump – Konkoma (Soundway)

~~~~ Break ~~~~

Steve Karmen Big Band feat. Jimmy Radcliffe – Breakaway – 7” (UA)
Johnny Otis – Watts Breakaway – 7” (Epic)
Marva Whitney – Unwind Yourself – 7” (King)
Eddie Bo – The Thang Pt. 2 – 7” (Bo-Sound)
The Explosions – Garden Of Four Trees – 7” (Gold Cup)
Mandrill – Fencewalk – Composite Truth (Polydor)

~~~~ Break ~~~~

Antibalas – Ari Degbe – Antibalas (Daptone)
Adrian Younge & Venice Dawn – Turn Down The Sound – Something About April (Wax Poetics)
Gaslamp Killer feat. Miguel Atwood Ferguson – Flange Face – Single (Brainfeeder)
Echo Lake – Further Down – Wild Peace (Slumberland)

~~~~ Break ~~~~

Lee Fields & the Expressions – You’re the Kind Of Girl – Faithful Man (Truth & Soul)
Mexico Institute Of Sound – Se Baila Asi – Mexico (Nacional)
Shintaro Sakamoto – Mask On Mask – How To Live With A Phantom (Other)
Paul Weller – Amongst Butterflies – Paul Weller (Go Discs)

~~~~ Break ~~~~

{closing theme} Dungen – C. Visar Vagen – Tio Batar (Kemado)

In Heavy Rotation: KonKoma – KonKoma – Soundway

KonKoma – Accra Jump

Long known for reissuing fantastic sounds primarily out of Africa, Soundway has spent most of 2012 putting out fantastic contemporary music from all over the world (particular attention has to be paid to the Ondatrópica project which was just in LA for a stellar show!). KonKoma is based out of London, but has it’s roots primarily in Ghana by virtue of Alfred Bannerman and Emmanuel Rentzos, long-time members of afro-rock group Osibisa. That in itself should be enough to garner a listen, but then add Nostalgia 77’s Ben Lamdin into the mix plus production work from Prince Fatty and the result is truly golden.

Be Our Guest: DJ Boss Harmony on KPFK’s Melting Pot!

Been a fan from afar of the work of DJ Boss Harmony, particularly through his many and varied nights DJ-ing in Los Angeles.  Currently he spins at Dub Club at the Echoplex on Wednesdays, Dr. Who at the Virgil on Thursdays, Punky Reggae at La Cita on Fridays, and also Saturdays at the Del Monte Speakeasy in Venice.  This past Sunday we had the pleasure of haivng Boss Harmz spin on our all vinyl end of the month edition Melting Pot. For his guest DJ set he took us on a tour (all on 45s no less) of each of signature nights, beginning with Dub Club with Lynval Thompson, U-Roy and Junior Soul then to Punky Reggae with choice post-punk from the Slits, PIL, and the Fall and closing things out were some out sounds to represent Dr. Who, including a French Pscyhe track from Pierre Henry that I’ll be obsessing over for the next 7 months at least.  Enjoy the sounds and check for the man and his records at the above venues.

Guest DJ Set from Boss Harmony on KPFK’s Melting Pot

Breakdown: July 29th on KPFK’s Melting Pot

End of the month and once again all on vinyl. Just judging from the calls we get on the show, it seems like these all-vinyl shows are far and away the ones that people respond the most too. It’s certainly fun for me to put together an interesting bag of records but purposely not plan the show and just see what develops in the mix. In the second hour we have nice long set from DJ Boss Harmony (separate post upcoming) where he takes on a little trip through his major events in LA, beginning with Dub Club, then to Punky Reggae and closing up with Dr. Who. As I mention at the end of the show, there’s a very good chance that I’ll be spinning records at the Virgil on Tuesday August 7th, if you enjoy these sounds, you’ll likely enjoy those too.

Melting Pot on KPFK #93: First Hour
Melting Pot on KPFK #93: Second Hour

Playlist: 07-29-2012
{opening theme} Boris Gardiner – Melting Pot – Is What’s Happening (Dynamic)

~~~~ Break ~~~~

Los Canarios – She Brought The Blues (Into My Life) – Liberate (CFE)
Butterfield Blues Band – 1,000 Ways – Sometimes I Just Feel Like Smiling (Elektra)
The Illusion – Did You See Her Eyes? – The Illusion (Steed)
Billy Edd Wheeler – You Fight Your Fight, I’ll Fight Mine – Nashville Zodiac (United Artists)

~~~~ Break ~~~~

Tim Maia – New Love – Tim Maia (1973) (Polydor)
Rare Bird – What You Want To Know – As Your Mind Flies (ABC)
Chicano Batman – Itotiani – Chicano Batman (Club Unicorinio)
Grupo 2000 – El Destape A Los 2000 – El Destape (Masstropicas/Light In The Attic)

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Los Dinamicos – Canto Tropical – El Cacahuatero (Caytronics)
Perez Prado – Black Magnolia – El Fabuloso (Dimsa)
Sureshot Symphony Solutions – Half Man, Half Bionic – A Good Look EP (Self-Released)
Mount Rushmore – Toe Jam – ’69 (Dot)

~~~~ Break ~~~~

Boss Harmony – Guest DJ Set – Recorded Live At KPFK (KPFK Archives)

~~~~ Break ~~~~

{closing theme} The Corporation – India – The Corporation (Capitol)

Dig Deep: Os Incríveis – Para Os Jovens Que Amam Os Beatles, Rolling Stones E…Os Incríveis – RCA Victor (1967)

Os Incriveis – Nao Resta Nem Ilusao
Os Incriveis – Nosso Trato
Os Incriveis – Perdi Voce

Picked this up several years ago from Mark at BAO (By Appointment Only) Records in San Diego. Being a fan of Brazilian music, I’m generally drawn to any 1960s or 1970s records from there, and the cover of this one definitely had the look. Based off of the title and song selection I expected some 60s pop sounds somewhere in between the Beatles and the Rolling Stones. As I reached into the cover to pull out the LP to give it a listen, I noticed that something appeared to be missing. It looked as if someone had taken a bite out of the album. Since I know vinyl isn’t particularly nutritional, nor does it taste good, I figured somebody at some point just dropped the record and it cracked. Even though the first two songs on both sides were affected, I dug the rest so much I still took it home, with the hope to “Mint Up” later.

Still haven’t seen another copy of this record, so instead of waiting another two years I figured I’d just post it now. Os Incríveis were a rock group out of Sao Paulo, that recorded quite a bit, up until the mid-1970s. I haven’t heard much of their later material, but this music is very pop oriented but with a little bit of an edge, sometimes in the fuzzy guitar playing, sometimes in the organ or in the gritty sound of the saxophone. While the best track on the album, “Vai, Meu Bem” was ruined by the bite someone took out of the album, there were still quite a few nice rockin’ instrumentals including the Booker T & the MGs-ish “Perdi Voce” and the surf rockin’ sound of “Nao Resta Nem Ilusao.” While I’m still interested to hear other work from the band, they change their tone and style, often in the middle of the same song, a bit too much for my tastes overall, so most of the vocal tracks I don’t particularly care for. But when they stick with a sound, the results are very very nice.

Cheers,

Michael

In Heavy Rotation: Shintaro Sakamoto – In A Phantom Mood – Other Music

Shintaro Sakamoto – My Memories Fade

This release arrived at my place a couple of weeks ago and just looking at the cover image, I was expecting some avant-garde style music, not having a clue who Shintaro Sakamoto was. For a long long time, he was a member of Japanese group, Yura Yura Teikoku, but even if I had listened to their largely retro-psych rock sounds, I still wouldn’t have been prepapred for this record, his debut as a solo artist. How To Live With A Phantom hasn’t left my mind in the last two weeks, with it’s breezy funk that evokes a bit of the 1970s and a bit more of the Acid Jazz infused 1990s. “My Memories Fade” is just one of the many tracks on this album you’ll be hearing quite a lot of on the radio show, with it’s slower groove, slide guitar and touches of organ. Don’t be surprised if this ends up being on of my favorite records of 2012.

As bonus here’s the video for another track on this album, the more upbeat “You Just Decided,” which I thought about posting but instead thought it better to include the video for the song (directed and illustrated by Sakamoto himself!) just because it is ever so very trippy:

Be Our Guest: Chicano Batman on KPFK’s Melting Pot

Chicano Batman performs at KPFK

Our first return guests on Melting Pot were LA’s very own Chicano Batman. The first time they came in, they played all acoustic.  This time around the band played fully plugged in with new member, guitarist Carlos Arévalo. In the session they play slightly different versions of all four songs from their brand new EP Joven Navegante, plus one from their first album, the song “Itotiani,” which was specifically requested by my wife.

Psicodélico!!!

During the interview we talk about how Carlos joined the group, the differences between recording their first and second release, their recent kickstarter campaign to get Joven Navegante pressed on vinyl and upcoming shows for the band. This has really seemed like the summer of Chicano Batman, with brand new music and a ton of chances to see them live in the LA area, it really was a pleasure to have them return to Melting Pot. Big thanks to Stan Misraje for the sound and Jorge Avila at Qvole for setting things up. Enjoy the sounds!

Chicano Batman on KPFK’s Melting Pot: Recorded 7-16-2012

As we mentioned in the interview, there are a lot of chances to catch Chicano Batman live in LA in the coming months. Stay tuned to their homepage for updates on more shows:

July 28 – KCRW’s Chinatown Summer Nights w/ Anthony Valadez and Jeremy Sole
July 29 – The Mayan w/ Ondatropica, Buyepongo and Very Be Careful
August 2 – KPCC’s Between The Beats @ The Crawford Family Forum
August 9 – Made In LA @ the Hammer Museum w/ Anthony Valadez
August 10 – Amoeba Hollywood In-Store
August 30 – Bootleg Theater w/ The Boogaloo Assassins and Anthony Valadez

Breakdown: July 22nd on KPFK’s Melting Pot

Decided to focus on the music this week, with so much else going on. First hour features a few newer things, mostly digging deeper into releases we’ve been playing for a bit, including the Can Box Set, Hypnotic Brass with Phil Cohran, Ondatropica, Echo Lake and Shintaro Sakamoto. Some totally new tracks out of Africa from Konkoma and Janka Nabay and some truly lovely material from The xx. In second hour we have a return engagement from Chicano Batman (separate post coming shortly) where they perform and discuss music from their latest release Joven Navegante. Next week it’s the end of the month and we’re all on vinyl.

Melting Pot on KPFK #92: First Hour
Melting Pot on KPFK #92: Second Hour

Playlist: 7-22-2012
{opening theme} Booker T & the MGs – Melting Pot – 7” (Stax)

~~~~ Break ~~~~

Kelan Phil Cohran & the Hypnotic Brass Ensemble – Cuernavaca – Kelan Phil Cohran & the Hypnotic Brass Ensemble (Honest Jon’s)
Anthony Valadez feat. Joya Mooi – Looking Backwards – Just Visiting (Plug Research)
Konkoma – Yoo eh – Konkoma (Soundway)
La Yegros – Viene De Mi – Future Sounds of Buenos Aires (Waxploitation)

~~~~ Break ~~~~

Can – Messer, Scissors, Fork and Light – The Lost Tapes (Mute/Spoon)
Janka Nabay & the Bubu Gang – Somebody – En Yay Sah (Luaka Bop)
The Ghetto Brothers – Ghetto Brothers Power – 7” (Truth & Soul)
Strong Arm Steady & Statik Selektah feat. Chace Infinite – Forever – Stereotype (Stones Throw)

~~~~ Break ~~~~

The xx – Angels – Coexist (XL)
Echo Lake – Swimmers – Wild Peace (Slumberland)
3 Na Massa feat. Karine Carvalho – Tatui – 3 Na Massa (Nublu)
Shintaro Sakamoto – You Just Decided – How To Live With A Phantom (Other Music)
Real Estate – Reservoir – 7” (True Panther Sounds)

~~~~ Break ~~~~

Chicano Batman – Interview and Performance – Recorded Live at KPFK

~~~~ Break ~~~~

Chicano Batman – La Samoana – Chicano Batman (Club Unicornio)
Gal Costa – Perola Negra – Gal: A Todo Vapor (Philips)
Ondatropica – Traigan La Batea – Ondatropica (Soundway)

~~~~ Break ~~~~

{closing theme} Dungen – C. Visar Vagen – Tio Batar (Kemado)

Dig Deep: Research 1-6-12 – In Research – Flick City (1968)

Research 1-6-12 – Can You Baby
Research 1-6-12 – Highway Song
Research 1-6-12 – Juicy

This record has been on my radar ever since a fantastic interview from 2010 on Nerdtorious with Edan.
Mid-interview Edan talked about a record he had recently found at a record fair and how tripped out he was by one of the songs, “Lookin’ In My Toaster.” As Edan describes, it’s basically a song about a guy who is clearly on some serious drugs based off of the things he seems to see in his toaster. The sound of the song so intrigued me that I’d be on the hunt for a copy ever since. I held out for quite a while, hoping I’d run into it digging at local spots, or at one of my pilgrimages to Groove Merchant. Eventually I swiped a moderately price copy off of Ebay and when the LP arrived I was surprised that as trippy and freaked out “Toaster” was, it wasn’t even nearly my favorite song on the album.

Research 1-6-12 was a trio of mild-mannered California dudes (as pictured on the back of their cover) plus someone on the drums. From a discussion on another blog from someone claiming to be a member of the group (which would seem totally legit, I mean why would anybody claim to be in a group this obscure?) the band just never caught on, despite their best efforts (my favorite line from now “Rabbi” Yess’ account is “I recall one gig in Lancaster, CA where we did one set and the manager told us to go home, he preferred the juke box…great for one’s self esteem.”) But thankfully, they did record and it’s material that holds up pretty nicely in comparison to other underground groups from that period of time.

“Can You Baby” is just all kinds of groovy. With all the rhythm hanging out in the left channel, the drums are so fantastic that I’d wager the drummer is a sessions player of note. The song just has 60s swagger for days. “Highway Song” is a post Summer of Love cautionary tale of a Hippie down on his luck that’s as good as anything I’ve heard from this period of time, especially lyrically.

If you see me on the highway, please don’t pass me by,
I’m only trying to get back home, looking for that ride,
My clothes are a little dirty and my hair might look too long,
But please don’t judge me by my looks for I promise you no wrong

I been up to San Francisco, lost everything I own,
Now all I ask is just for a ride, no money, food or home

My head is feeling heavy and my legs are feeling numb,
My arm is almost breaking from holding out my thumb,
Trucks and cars keep coming by, nobody seems to care,
The heat on this old highway’s almost more than I can bear,

But I hope I catch a ride by dark, caus emy shirt is pretty thin,
I sold my coat for an upper and I gave that to a friend

So if you see me on the highway and you need some company,
I’m only trying to get back home to be what I used to be

It’s really a shame this song didn’t end up in Easy Rider or a similar film, it’s really just classic. When you listen to all the other tracks on the album, it almost seems like this is a totally different group. Listening to the album from start to finish might also give you that impression since they shift into very different genres almot from song to song. But the idiosyncrasies of the lyrics connect to other songs, even if the subject matter and the sounds are very different. “Juicy” for example has some of “Can You Baby”‘s swagger, combined with some truly ribald lyrics, including “Not because you come so loud, but just because you’re juicy.” I could have easily chosen 2 or 3 other songs, still not including “Toaster,” and this post would have been just as satisfying. It’s pretty rare that I pick up an album and it actually surpasses my expectations, but this one certainly did and I’m thankful for finally tracking it down.

Cheers,

Michael