Guest DJ Set @ Funky Sole – July 15th 2017

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One of the toughest things about being a Guest DJ, at least if you still spin on vinyl, is how many, and which ones, you bring. Since Clifton and Miles have such deep collections, there’s always a chance that a song you were looking forward to drop will get into one of their sets and then you have to change things up, now with fewer arrows in your quill, or the crowd, though it is very liberal, won’t vibe as much as you thought they would to a song you chose, and a quick/slow fade-out is in order. In last night’s case, I had a whole ‘nuther set in mind when I was getting ready for Funky Sole. Though I always bring crowd/b-boy favorites, I try to not to repeat myself too much and was looking forward to trying out some things that I’d never played there before. But just before my set, there was a circle in the center watching some B-boys do power moves (normally they do their thing on dance floor to the left of the stage) and with the customary pause to the music to introduce the guest, there were different dynamics on the floor than I was used to, so I tabled the more experimental parts of the set I’d planned on, and just let loose, playing many more tracks that I’ve played before than I would normally. ‘Bout 3/4’s in though, I did get back to a slew of tracks that I hadn’t played, and hadn’t heard at Funky Sole before, and I was especially happy with how the Ismael Diaz private press Latin Funk went over with the crowd…However, the highlight of the night for me was later on trading off records with Clifton, and ending up on Sylvia Tella’s “Stars In Your Eyes” Lovers Rock and the Ponderosa Twins “Bound” for the 30 or so people still there, way past closing time…always for pleasure and always a pleasure DJ-ing for the Funky Sole faithful. Eternal thanks to Miles, Clifton and Nancy each and every invitation!

Guest DJ Set At Funky Sole – 07-15-2017

Playlist: 07-15-2017
1. Coke – Na Na – Coke (Sound Triangle)
2. Harlem Underground Band – Smokin’ Cheeba Cheeba – Harlem Underground (Paul Winley)
3. Maceo and all the King’s Men – Got To Get Cha – Doing Their Own Thing (House Of The Fox)
4. The Meters – Handclapping Song – 7″ (Josie)
5. Foster Sylvers – Misdemeanor – 7″ (MGM)
6. The Trinikas – Remember Me – 7″ (Numero)
7. Sly Stone – Remember Who You Are – Back On The Right Track (WB)
8. Tarântulas – Saiba Ser Feliz (Don’t Stop ’till You Get Enough) – A Música Não Pode Parar (RCA)
9. Michael Jackson – Get On The Floor – Off The Wall (Epic)
10. Orchestra Internationale – Chella ‘Lla – Disco Italiano (Fiesta)
11. Juice – Catch A Groove – 12″ (Greedy)
12. Jimmy McGriff – You’re The One – Soul Sugar (Capitol)
13. Robert Roena y Su Apollo Sound – Que Se Sepa – Roberto Roena y Su Apollo Sound 5 (International)
14. Ricardo Marrero – Babalonia – 7″ (Yu Vu Tu)
15. Miguel De Deus – Black Soul Brothers – Black Soul Brothers (Underground)
16. Ray Barretto – Together – Together (Fania)
17. James Brown – It’s A New Day – 7″ (Polydor)
18. Ismael Diaz – El Aficionado – Mi Graduacion (ID)
19. Brown Brothers Of Soul – Cholo – 7″ (Specialty)
20. Jean Jacques Perrey – E.V.A. – Moog Indigo (Vanguard)
21. Marcos Valle – Mentira – Trilha Sonora Original: Carinhoso (Som Livre)
22. Airto Fogo – Black Soul – Trilha Sonora Original Internacional: Cuca Lega (Som Livre)
23. Larry Young – Turn Off The Lights – Fuel (Arista)

Melting Pot’s Deepest Digs Volume #8!!!

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Not nearly as many posts as I usually have in a year, but still, some heavyweight material shared over the past year. This mix brings together 20 of my favorite tracks shared here in the past 12 months…Dig On It!!!

Melting Pot’s Deepest Digs Volume 8

Playlist:
1. La Banda Colorado – South Chicago Mama (Melting Pot) – In Memory Of Jimmy Dan Song (CB Records)
2. Ozzie DaSilva – Zig Zag – Zig Zag With Love (Cocktail Productions)
3. Kijana Mahdi – Did You Really Choose Me? – The Soul Of Kijana Unfolds In Music (Mahdi)
4. Los Barba – Mi Mercy Cha – 7″ (Arieto)
5. Eduardo Conde – De Onde Vens – Minha Chegada (Philips)
6. Los Jaivas – Pregón Para Iluminarse – Los Jaivas (EMI)
7. Akagündüz Kutbay and Emin Fındıkoğlu with Nathan Davis – Çeçen Kızı
8. Marinho Castellar – Verde Clara – Marinho Castellar e Banda Disrritimia (Novo Mundo)
9. Bill Plummer and the Cosmic Brotherhood – Journey To The East – Bill Plummer and the Cosmic Brotherhood (Impulse!)
10. Ihsan Al-Munzer – Sari Aghtchik – Orientalissmo Pt. 2 (Voice Of Stars)
11. Os Incríveis – Mundo De Amor – Os Incríveis (1970) (RCA)
12. Airto Fogo – Black Soul – Trilha Internacional Da Novela: Cuca Legal (Som Livre)
13. Adam Makowisz – Sacred Song – Unit (Muza)
14. Eduardo Araujo e Silvinha – Opanige – Sou Filho Dêsse Chão (Beverly)
15. Pi-R Square – Fantasy Pt. 2 – 7″ (Wee)
16. The Savage Resurrection – Talking To You – The Savage Resurrection (Mercury)
17. Son Hak Rei – Dry Leaves – Instrumental Music Vol. 3 (Universal)
18. Chris Speeding – You Can See – Backwood Progression (Harvest)
19. Betty & Angel – Everlasting Love – 7″ (Every Day)
20. Sylvia Tella – Stars In Your Eyes – Spell (Sarge)

Melting Pot: 8 Down…Movin’ On Up to Year Nine!

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Year 8, the first of this newly redesigned, aesthetically and philosophically, Melting Pot was tougher than I thought it would be. After those 33 1/3 posts out the gate, burnout from work affected the pace of posts here for much of the past year. Probably no other place where this was evident than in the “Dig Deep” section, which normally has twice as many entries (something which may affect this year’s “Deepest Digs,” coming up on 7/11). While I won’t be starting this year with the same furious pace as the last, I will be spending much of the next week giving myself a head start on “Dig Deep,” especially since I have a lot of great records that I should have shared earlier that I’m excited to share now. As it’s the summer, and I have much more free time than when I’m teaching, you can also expect some new mixes in the coming months. With any luck, there will also be more shows on Dublab, but time will tell on that front…so, onwards and upwards peoples!

Cheers,

Michael

Trouble and Passion in Our Republic on the 4th

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A portion of Kerry James Marshall’s “Bang” (1994), from a photo taken at the Mastry exhibit at MOCA

Songs: Ohia – Our Republic

Here on the 4th, I’m still thinking quite a lot about what I was doing on the 3rd, which was a return to see the last day of the extraordinary Kerry James Marshall retrospective at MOCA. Marshall’s work is explicitly political, often times without relying on the explicit polemics of most political art. Much of it was focused on the simple lack of representation of black bodies in the art world, so Marshall painted exclusively Black figures, and made them as Black as Black can be as a color. The subject matter also was political just in it’s choice, present Black folk in a variety of idyllic scenes, instantly recognizable to Black folk themselves, but also not so dissimilar from basic “Americana” that had been normalized throughout the years. “Bang” is a perfect example of that, a simple meeting of children on the 4th of July, a reminder that America’s history is shared by all Americans, and all Americans have had a part in the making of this most imperfect union.

That notion of America as an imperfect union seems especially apt in the given political moment, one which seems filled with more uncertainty of anytime during my life (take note, I was born in 1975, a year after Nixon resigned). And in this kind of moment, songs like “Our Republic,” often come to mind. One of Jason Molina’s greatest strengths as a songwriter (something that will always be sorely missed because of his far to early passing) was how he could turn a phrase. While many of his songs in those early days often sounded like they were from a different era, it was the way he constructed his lyrics that made them stand out the most.

Songs: Ohia – “Our Republic”

You should know,
Trouble comes from a passionate word,
And you should know,
Passion comes from a passing word,
Dark blue they,
Our banners flayed,
And burning to the base,
Submit to draw closer,
The glance you’d once given me,
An attempt of the old position,
They impose their pushing in steep heroics,
These fine others,
I owe my lifted, tho’ wounded head,
And every side of you to a man,
There have been signals,
These are now joined by a future,
And only say which decayed,
Not live opposite the failed republic,
Time will meet and pass you by,
You should know,
Trouble comes from a passionate word,
You should know,
Passion comes from a troublesome word,
You should know,
Trouble sounds like a comforting word,
You should know,
Passion comes from a passing word…

Now, I have no idea if “Our Republic,” was written about our republic, likely it was about a more personal relationship, but the words might serve as a warning to all sides in our current situation, where political wins become losses almost as quickly. At times watching our current politics you’d think that each side truly believed that they live in different worlds, and not the same exact country. But, I’m a firm believer that road to peace isn’t a peaceful one, but instead one that’s paved with trouble, and while that’s not what’s celebrated often on the 4th, the country we have is here because of it, and the world we’ll eventually create will be better for the passionate troubles we’re going through right now.

A special note on the this file, this actually comes from a digitized version of a cassette compilation of music from Songs: Ohia vinyl LPs that I made for road trips in the early 2000s. I bought a copy of the 1st album at the tribute to Jason Molina that was done after his passing here in LA, but the sound on that more recent reissue is a little too clear, and to my ears, this one still sounds warmest and true.

Dig Deep: Os Incríveis – Os Incríveis – RCA (1970)

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Os Incríveis – Adeus Amigo Vagabundo
Os Incríveis – Mundo De Amor
Os Incríveis – Hi-De-Ho

I’ve had this one on the shelf for a while, and after it’s inclusion in the “Deep Under Cover” show me and Oliver did on Dublab this past week, seemed like a good time to finally post it up. Os Incríveis got their start more or less as part of the Jovem Guarda, the generation of Brasilian musicians who fully embraced Rock’n’Roll. As the 1960s gave way to the 1970s, and Tropicalia became all the rage, they expanded their sound and as such, started to incorporate more psychedelic elements. Personally, I would have liked this album to include more of the tougher psychedelic sound that’s on display on their cover of Tony e Frankye’s Jimi Hendrix tribute “Adeus Amigo Vagabuno” (which they amp up the tribute factor by incorporating a bit of Jimi’s “Foxy Lady,” into the mix). “Amor De Mundo” shows that had the band been more influenced by Motown than the Beatles they might have been one of the leads in the Brazilian soul movement that was only nascent at this time. “Hi-De-Ho” is a strange one, it’s mostly a bit conventional, but with those open drums in the middle, it’s tailor-made for our post Hip-Hop ears. If only the band had realized that 45+ years later these would be the sounds we’d want most of all…if only.

Deep/Under/Cover: Soul-Sides X Melting Pot X Dublab!!!

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This past Friday, I had the pleasure of guest hosting on LA’s Dublab with my old-time homey Oliver Wang of Soul-Sides.com for a show we called Deep/Under/Cover. Two hours of deep covers, funky covers, psychedelic covers, covers that don’t say they are covers but we know they are covers aka undercover covers! We trade off on sets during each hour, with yours truly going first, and then Oliver following up. So many highlights in the show, on my end, getting to play a few things I’ve shared here, including La Banda Colorado’s undercover “Melting Pot,” Tarantula’s take on Joe Bataan’s rap classic “Rap-O, Clap-O” and some things I’m looking forward to sharing, like the wacky cover of Herb Albert’s “Rise” by Cuban teenagers Grupo Ismaelillo and The Jordans dark and psychedelic cover of Sly Stone’s “Thank You.” As expected Oliver puts most of my selections to shame, with a slew of island records, including steel drum band covers of “Down By The River” and the song that brought down the house, the Katzenjammers INSANE cover of Gary Numan’s “Cars,” (CARS?!!?!?!?!!?!!?!!) plus Thailand’s the Impossibles covering The Nite-Liters “Tanga Boo Gonk,” and many others that you just need to hear to believe (again, CARS?!?!?!?!?!?!!?!!!!). The audio runs a little “hot,” but what can I say…we were excited to be back on the air! Especially given that we had the privilege of being on the first Dublab shows to broadcast at their new local frequency, 99.1FM! The station is adding a second transmitter that should improve it’s signal in LA Central later this Summer and, with any luck, we’ll be back for more in the near future. For now…Dig on it!

Oliver Wang & Michael Barnes on Dublab – Deep Under Cover 6-30-2017

Playlist:
Hour 1:
{opening theme} Richard “Groove” Holmes – Song For My Father – Onsaya Joy (Flying Dutchman)

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{Michael Barnes}
La Banda Colorado – South Chicago Mama (Melting Pot) – In Memory Of Jimmy Dan Song (CB Records)
Armando Trovaioli – Sessomatto (Soul Makossa) – Original Soundtrack: How Funny Can Sex Be? (West End)
Los Hazos – It’s A New Day – 7”
Los Apson – Por Tu Amor (For Your Love) – Satisfaccion (Eco)
Richard Hayman – Windmills Of Our Mind – Electric Latin Love Machine (Command)
The Heads – Are You Lonely For Me Baby – Heads Up (Liberty)
Rufus Harley – Love Is Blue – King/Queens (Atlantic)
Hypnotic Brass Ensemble – Water No Get Enemy – Heritage EP (Choice Cuts)

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{Oliver Wang}
Dutch Rhythm Steel & Show Band – Down By The River – Soul Steel & Show (Negram)
Los Fabulosos Festivals – Can I Change My Mind – 7” (Onda Nueva)
Syd Jones and The Troubadours – Cardova – Positvely Spicy (West Indies Records)
Bits’n’Pieces – Tanga Boo Gonk – Only The Beginning (Dyna Parlophone)
Joe Cruz & the Cruzettes – Love Song – Album 2 (Villar Records)
Swinging Stars Of Dominica – Bang Bang – Higher and Higher (Stardom)
Ciel Miner – Stardust – This Is For The People (Car-Dor)
Los Exciters – Morning – 7” (Sally Ruth)

Hour 2:
{opening theme} Rahsaan Roland Kirk – Never Can Say Goodbye/Make It With You – Blacknuss (Atlantic)

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{Michael Barnes}
Os Incriveis – Adeus Amigo Vagabundo – Os Incriveis (RCA)
Johnny Frigo Sextet – Gardens On The Moon – Electric Jazz Of Gus Giordano (Orion)
I Fholks – Soldier In Your Town – SuperLongPlaying (CR)
Aynsley Dunbar Retaliation – Memory Of Pain – The Aynsley Dunbar Retaliation (Blue Thumb)
The Jordans – Thank You ((Falettinme Be Mice Elf Agin) – Edicao Extra (Copacabana)
Tarantulas – Melo Do Aplauso (Rap—O Clap-O) – A Musica Nao Pode Parar (RCA)
Grupo Ismaelillo – Amanecer (Rise) – Galaxia (Egrem)

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{Oliver Wang}
Wim Overgauw – Footin’ It – Dedication (Basart)
The Impossibles – Give It Up – Hot Pepper (Philips)
Pedro Plascencia – Soul 70 (Soulful Strut) – Pop (Musart)
Sunny & the Sunliners – Dance To The Music – Sky High (Key-Loc)
The Funkees – Breakthrough – 7” (EMI)
Mark Martin – In The Good Old Topless Time (The Champ/Tramp) – 7” (Trans World)
The KatzenJammers – Cars – Panatics (Long View Farm)

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{closing theme} The Mac 5 – Song For My Father – The Mac 5 (Century)

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CARS!?!?!?!!?!?!!!!!???!?!?!?!?!?!???!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!????????!?????!!!!!

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Dig Deep: Tarântulas – A Música Não Pode Parar – RCA (1981)

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Tarântulas – Saiba Ser Feliz (Don’t Stop ’till You Get Enough)
Tarântulas – Dê O Seu Amor Para Mim (Put A Little Love On Me)
Tarântulas – Melô Do Aplauso (Rap-o Clap-o)

As I’m prepping for a guest spot on Dublab with Oliver Wang of Soul-Sides.com, pulling records and 45s with covers on them, I was surprised to notice that I never shared this album (almost as shocked to discover how little I’ve actually shared, music-wise, over the past year…best laid plans went awry again and again, so expect much more before our 8th anniversary next Friday). I picked this us at the Mr. Bongo Record Pop-Up last November. Had never heard of Tarântulas before I saw this in the bins, and while we all know you shouldn’t judge a record by it’s cover…I mean, damn. LOOK AT THESE DUDES! There was no way I was not going to at least take a listen to what kind of music these dudes made.

As excited as I was by Tarântulas’ outrageous fashion sense, I was even more gassed when I saw the tracklistings and noticed that they did a Portuguese version of Michael Jackson’s “Don’t Stop Til You Get Enough.” The hits just kept coming as I noticed the final track of the record was a totally unexpected cover of Joe Bataan’s Hip-Hop classic, “Rap-O, Clap-O.” I’d known about Brazilian groups covering “Rapper’s Delight,” and how big the Hip-Hop scene became in Brazil, but I’d never heard this cover before. Sandwiched in-between were also versions of the Rolling Stones’ “Emotional Rescue,” the Village People’s “You Can’t Stop The Music,” as well as a surprisingly “deep” cover of “Put A Little Love On Me,” from the UK soul group Delegation. There are a few originals as well, though (in a inversion to my usual tastes) I think the covers are more interesting than the originals. Running into this (along with more Brazilian wax picked up this year) has cemented the thought in my mind that I seriously need to get down to Rio or São Paulo in 2018 and do some digging directly at the source.

Clap Your Hands, Snap Your Fingers for Carpet Square Funk

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Harrell & Sharron Lucky – Clap Snap Stamp

As most break obsessed DJs/collectors know, instructional records are often a solid place to find a bit of quirky funk. The nature of the genre, music plus instructions, sometimes together, sometimes separate, all but guarantees clean, open breakdowns. “Clap, Snap, Stamp” gives us a nice bass & drum combination right from the start before an announcer/singer, who I’m just going to assume is Harrell Lucky, tells us how to have some fun on an inverted square of carpet. If you decide to follow along (though in all honesty, the above picture of the kids on their squares feels slightly ominous, but maybe I’ve been watching too much 1970s/1980s horror of late), make sure to remember, “shag carpet not recommended.”

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Armenian Mountain Girl Disco…By Way Of Lebanon’s Ihsan Munzer

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Ihsan Munzer – Sari Aghtchik

Speaking of musical discoveries, I dug this record out of a wasteland of 1,000s of LPs at a house sale last year for $1. A record titled “Orientalissimo” by a group labeled “Ihsan Al-Munzer and his Oriental Group,” is precisely the kind of record that I never would have looked twice at way back in my 20s. But, as I’ve grown older, I’ve grown more adventurous in my selections, partially because I’ve built up some decent knowledge of a lot of things, but also because I find myself more interested in tracking down interesting things that I’ve never ever heard of. When I saw this record and flipped it over and saw Munzer chilling with his multiple keyboards and then saw the album was released in 1980, I figured there was a good chance something on this album would be either a bit funky or a bit disco. “Sari Aghtchik” was the first song I dropped the needle on and my instincts were, as you can hear above, dead on. Now, there’s a whole new world opened up, Lebanese disco based on “Armenian Keif Time Melodies”…and all it cost was a bit of time and $1.

Dig Deep: Adam Maskowicz – Unit – Muza (1973)

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Adam Makowicz Unit – Sacred Song
Adam Makowicz Unit – Drinking Song
Adam Makowicz Unit – Suggestion

After years and years of collecting records, I’m still constantly surprised by how much music is out there in the world to be discovered. Trying to wrap my mind around all of the records that have come out in the U.S. is enough, but when I think about all the records released world-wide, just in the “in the pocket” funky years of 1967-1975, I fall into a deep existential depression that I’ll never be able to hear them all. Thankfully, running into records I’ve never heard of before, or only heard in passing, snaps me out of that “funk,” and reminds me that all we can do is appreciate what we do get in the short time we are here. Even the greatest record collectors, I mean the big time ones with so many records they lose count and lose space, only own a small fraction of the “great” records that have been released. Perhaps that’s why I persist through periods of inactivity to keep sharing music on this site, as there is so much music to discover.

Today’s discovery is a little trip into the Polish Jazz scene courtesy of keyboardist Adam Makowicz. Makowicz’s “Unit” album is a part (Vol. 35 to be exact) of a long running series, just simply titled “Polish Jazz,” that is highly recommended for it’s overall quality and as a way of wading into what for me is largely uncharted territory. Like much of the sounds over here in the States, by the time the series made it into the 1970s, things got a good deal funky. That’s certainly the case with this album, which only features Makowicz, almost exclusively on Fender rhodes, and drummer Czeslaw Bartkowski together as the titled “Unit.” And while Makowicz’s playing is top-notch, my love of this album is really all about the drums. Part of the joy of these kind of organ/drum duos is that you are absolutely guaranteed to have open drum breaks, and Czeslaw Bartkowski does not disappoint on that front.

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Bartkowski has a ton of credits throughout the European jazz scene, though my limited experience with his playing comes down to this record and work down Michal Urbaniak (later in 1976 it seems he released an album under his own name called “Drums Dream” which I will be tracking down without a doubt before year’s end). What I’ve heard thus far, I’ve dug, and when you hear his snappy work on “Sacred Song,” or his own composition “Suggestion,” you’ll dig it too.

Talk That Trash About The Oakland Warriors? Knock Yourself Out…

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Tower Of Power – Knock Yourself Out

As I write this the Oakland Warriors (as I like to call them) are celebrating their 2nd title in 3 years. This one though is especially special, because it was clenched in Oakland, which hasn’t happened since the Swingin’ A’s of the 1970s. After the addition of Kevin Durant, it’s become more popular to talk about this Warriors team as if they are “villians” or an “evil empire,” but true fans know the deal. Warriors fans patiently waited for decades for a team that was truly worthy of the city where they play. We thought we might have them with the “We Believe” Warriors, but it’s this “Strength In Numbers” crew that has made Oakland most proud. Oakland and the Bay Area have always had a special place in my heart, growing up in Georgia learning about the Black Panthers, loving Sly Stone’s music, and being a fan of the Warriors, A’s and Raiders since I was a little kid. The time I spent in The Bay, living in Oakland, ranks as some of my happiest times, so it’s especially nice to see the city I love get some shine. The Warriors may move back to Frisco, the Raiders may leave to Vegas, but that will never change the fact that these titles were won in Oakland..and for those who want to hate on the Warriors or “The Town,” well, to you I say the same thing the East Bay’s Tower Of Power said back in 1970:
 

Talk your trash, [haters], it’s alright with me,
[We] got [our] game uptight and you should have known it from in front,
[We] on top of the situation, so KNOCK YOURSELF OUT!

The Melting Pot Radio Hour -Episode #7: Digs From Havana, With Love

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Now that I’ve finally dug myself out of the doldrums of this past semester, you’ll see a lot more from me online (and, perhaps, back on the radio too). This episode of the “Melting Pot Radio Hour” fulfills a promise made earlier in the year to share some of the vinyl I dug up this past time around in Havana (unbelievably, all the way back in January, which seems like three years ago to me at the present moment). I’ve now gone down to Tienda Seriosha on three occasions and each time I am surprised by how much music I continue to discover. Every time I think I know a little bit about Post-Revolutionary Cuban music, I discover I barely know anything at all. Here are just a few of my discoveries from this past trip, many of which will find their way onto the site or into a “Sorpresa Musical” mix in the near future.

Melting Pot Radio Hour – Episode 7

Playlist:
{opening theme} La Banda Colorada – South Chicago Mama – In Memory Of Jimmy Dan Song (CB Records)

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Raul Gomez – Tema De La Sierra – Instrumental (Areito)
Beatriz Marquez – No Desesperes – Beatriz Marquez (Areito)
Hilario Duran – La Contrapartido – Instrumental: Habana 9pm (Areito)
Pacho Alonsoy Sus Pachucos – Que Cosa Es Mendo – Upa Upa (Areito)
Orquesta Cubana De Musica Moderna – Y Que Has Hecho/El Niche – Cuba Que Linda Es Cuba (Areito)

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Los Bucaneros – Te Quiero A Solas – 7″ (Areito)
Maggie Carles – No Preguntes Como Fue – 7″ (Areito)
Los Van Van – Yuya Martinez – Sabor Cubano (Areito)
Elena Burke – Un Dialogo – 7″ (Areito)
Farah Maria – Paloma – Farah Maria (Areito)
Silvio Rodriguez – Con Diez Anos De Menos – Rabo De Nube (Areito)
Juan Pablo Torres – Andromedason – Vuelo Conjunto Intercosmos (Areito)

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Electric-Cord Orchestra – Soft & Easy – Break Dance 2 (Electrecord)
Jose Maria Vitier y Su Grupo – Del Lado Del deber – La Frontera Del Deber (Areito)
Frank Fernandez – Tema De La Esperanza – La Gran Rebellion (Egrem)
Ramon Huerta – Recuento – 20 Aniversario Del Ministerio Del Interior (Egrem)

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{closing theme} Jose Maria Vitier y Su Grupo – Zona Secreta – La Frontera Del Deber (Areito)

Brazilian Black Soul Flying Through The Airto Fogo

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Airto Fogo – Black Soul

Semester ended a few days ago and I’m really looking forward to recommitting myself to sharing music (maybe, emphasis on maybe, even back on the air, perhaps even by the end of the Summer). While I haven’t spent a large quantity of time in record stores this year, I have spent a whole lot of quality time in a few spots over the first half of 2017. Most recently (well, aside from the Dublab Record Fair yesterday), I spent three days buying as much Brazilian vinyl from Joel of Tropicalia In Furs as I could. There’s lots to share from those records (undoubtedly, there will be a second volume of Sonhos e Visões this Summer!) but this is just a quick hit as I sit down to record a long overdue Cuban volume of the Melting Pot Radio Hour. Airto Fogo is a bit of a mystery group. Though the name is Portugese, I’m fairly sure this group was made up of sessions musicians in France, led by drummer Sylvain Krief. This song comes from the “International” version of the novela soundtrack Cuca Legal, which also features Michael Jackson, Steve Wonder, The Stylistics and Terry Winter. I only learned that this instrumental was on this because Joel played it for another person at Rappcats, and as soon as those drums came out the speakers at the start, I knew I had to grab a copy. Thankfully, Joel had three still on the floor…yeah, it was that kind of Pop-Up. Just, records for days. Airto Fogo originally released this as a 45, though they also released a full-length record that appears to be a bit of a rarity, though in time, it is my every intention to track that one down.